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At the exhibition, a hand-filled claim formâcase no 405 of 1951 by Seth Naraiandas Hiranandâis displayed prominently with images of a Shikarpur haveli left behind.
Another map of Sindh shows different regions marked by patterns of Ajrak, a traditional block printing technique believed to be from the era of Mohenjo Daro.
Peengho, a swing part of Sindhi households | Rama Lakshmi, ThePrint
Other artefacts include family belongings such as a Bukhara carpet, and peenghoâa traditional wooden Sindhi swing. The exhibition said that many families miss their family peenghos, which were too big and heavy to carry when they were fleeing Pakistan. A gentlemanâs red velvet vanity case, haveli doors, prayer books and Jhule Lal shrines, wedding saris, wedding announcements and photographs, line cupboards with Roman design sliding doors, nose ring, braid decorations, lacquered bowls and vases, and metal traveling trunks.
A gentlemanâs red velvet vanity case, wedding saris and other artefacts | Rama Lakshmi, ThePrint
The exhibition also featured a clip from Abana (1956), the first Sindhi-language film, capturing the refugeesâ spirit of resilience.
But the difficulty of belatedly collecting Sindhi Partition-related artefacts is not lost on the community.
âItâs very hard to find. Most homes probably have one photograph. They have nothing, they came with nothing,â said curator Aruna Madnani, who is the founder of the Sindhi Culture Foundation.
Another map of Sindh shows different regions marked by patterns of Ajrak, a traditional block printing technique believed to be from the era of Mohenjo Daro.

Peengho, a swing part of Sindhi households | Rama Lakshmi, ThePrint
Other artefacts include family belongings such as a Bukhara carpet, and peenghoâa traditional wooden Sindhi swing. The exhibition said that many families miss their family peenghos, which were too big and heavy to carry when they were fleeing Pakistan. A gentlemanâs red velvet vanity case, haveli doors, prayer books and Jhule Lal shrines, wedding saris, wedding announcements and photographs, line cupboards with Roman design sliding doors, nose ring, braid decorations, lacquered bowls and vases, and metal traveling trunks.

A gentlemanâs red velvet vanity case, wedding saris and other artefacts | Rama Lakshmi, ThePrint
The exhibition also featured a clip from Abana (1956), the first Sindhi-language film, capturing the refugeesâ spirit of resilience.
But the difficulty of belatedly collecting Sindhi Partition-related artefacts is not lost on the community.
âItâs very hard to find. Most homes probably have one photograph. They have nothing, they came with nothing,â said curator Aruna Madnani, who is the founder of the Sindhi Culture Foundation.