[🇧🇩] Bangladesh Film Industry

[Saif]

‘Toofan’ to release in 123 halls, Cineplex’s Eid day tickets sell out

Eid is incomplete without megastar Shakib Khan’s films. Yesterday, director Raihan Rafi released the trailer for “Toofan”, and fans can't stop raving about its superior cinematography and action stunts. As “Toofan” gains momentum on social media, fans are rapidly booking advance tickets to the...

www.thedailystar.net

'Toofan' to release in 123 halls, Cineplex's Eid day tickets sell out

Photo: Collected

Eid is incomplete without megastar Shakib Khan's films. Yesterday, director Raihan Rafi released the trailer for "Toofan", and fans can't stop raving about its superior cinematography and action stunts. As "Toofan" gains momentum on social media, fans are rapidly booking advance tickets to the nearest theatres to watch the first day first show.

The film will be screened in two-thirds of the cinema halls across the country, totaling 123 cinema halls, on Eid. The makers have also released the list of theatres screening the film.

Apart from Star Cineplex, Jamuna Blockbuster and Lion Cinemas, "Toofan", will be released across all the big single screens in Bangladesh. Interestingly, as soon as Star Cineplex released the tickets this morning, advance tickets for the film have been selling out like wildfire.

According to Cineplex, there will be 17 screenings on Eid day and 23 shows per day starting the following day across all branches. Speaking with the authorities, it was confirmed that the advance tickets for the first day of "Toofan" sold out across all branches of Cineplex within a few hours in the morning. Additionally, 80 percent of the tickets for the second day were sold online.

Not only Cineplex but several theaters including Jamuna Blockbuster, Lion Cinemas, and Shyamoli are selling advance tickets for "Toofan". Facebook pages of various cinema halls have confirmed that Shakib's film is selling record advance tickets. For this reason, Raihan Rafi posted on his Facebook that "Toofan" is creating history in advance ticket sales.

Aside from Shakib Khan starring as the leading man, the star-studded cast of the film also includes Masuma Rahman Nabila, Fazlur Rahman Babu, Gazi Rakayet, Misha Sawdagar, and Chanchal Chowdhury, among others.

Shakib Khan's portrayal of a gangster promises to be a standout performance in this action-packed film.​

 

[Saif]

Star Cineplex doubles shows for ‘Toofan’

Raihan Rafi, the film’s director, informed that the film is currently in a strong position. The audience demand is immense, and ticket sales are skyrocketing. The number of shows could increase further, sources confirmed.

www.thedailystar.net

Star Cineplex doubles shows for 'Toofan'

Photos: Collected

"Toofan" has been raging across the country's cinema halls since its release on Eid Day (June 17), becoming the most widely screened film across 123 halls in the country.

Starting today, the number of shows for this film at Star Cineplex has increased from 21 to 45.

Raihan Rafi, the film's director, informed that the film is currently in a strong position. The audience demand is immense, and ticket sales are skyrocketing. The number of shows could increase further, sources confirmed.

The teaser, songs, and trailer have met the audience's expectations for the film starring Shakib Khan.

"Toofan" has been generating excitement ever since the release of its title track. The teaser alone piqued the curiosity of fans, leading many to predict that the film would be a blockbuster upon its release. Adding to the anticipation, Pritom Hasan's "item" song, "Laage Ura Dhura", was trending on YouTube upon its release, further heightening interest in the film.

The star-studded cast also includes Masuma Rahman Nabila, Fazlur Rahman Babu, Gazi Rakayet, Misa Sawdagar, and Chanchal Chowdhury, among others. Shakib Khan's portrayal of a gangster promises to be a standout performance in this action-packed film.

Alpha-i Studios and Chorki, the production company behind "Toofan", confirmed that advance ticket sales began 10 days prior to the release. As of June 18, around 40 percent of the tickets for the initial week were already sold, according to a Channel i report.​

 

[Saif]

‘Moyna’ bags award at Italian indy film fest

Bangladeshi filmmaker Monjurul Islam Megh’s film ‘Moyna’ won award in the Special Mention Feature Fiction Film category at the Gulf of Naples...

www.newagebd.net

'Moyna' bags award at Italian indy film fest
United News of Bangladesh . Dhaka 22 June, 2024, 00:08

A still from 'Moyna'. | UNB Photo

Bangladeshi filmmaker Monjurul Islam Megh's film 'Moyna' won award in the Special Mention Feature Fiction Film category at the Gulf of Naples Independent Film Festival in Italy.

The 10th edition of the festival was held from June 11 to 14 in Naples.

'The film "Moyna" is made to resonate with a wide range of viewers. I firmly believe that its appeal will extend beyond international film festivals and be appreciated by audiences in our country,' said Megh, who also wrote the screenplay and dialogue of the film based on a story by Alim Ullah Khokon.

Raj Ripa, Kayes Arju, Aman Reza, Affan Mitul, Jilani, Momena Chowdhury, Nader Chowdhury, Subrata, Suchona, Khalilur Rahman Qadri, Shishir and child artiste Jannatul Bhor have played different characters in the film.

According to the film's producer, Alim Ullah Khokon, 'Moyna' has received clearance from the Bangladesh Film Censor Board and is scheduled for release in cinemas in Bangladesh next September.

He said that the film would be screened at several international film festivals.

'Moyna' had earlier garnered the best film production award at the 25th EMMA'S BBC Festival of Multicultural 2023 in London and is scheduled to be featured at the 21st Aporia International Village Film Festival in Korea in August.​

 

[Saif]

Mithila's upcoming film set for release in India

Actress Mithila, celebrated across both Bengals, is set to star in an upcoming Indian film titled "Aranyer Prachin Probad". This much-anticipated project is helmed by first-time director Dulal Dey.

www.thedailystar.net

Mithila's upcoming film set for release in India

Photos: Screen grab from "Aranyer Prachin Probad" trailer

Actress Rafiath Rashid Mithila, celebrated across both Bengals, is set to star in an upcoming Indian film titled "Aranyer Prachin Probad" — scheduled for release on July 5.

This much-anticipated project is helmed by first-time director Dulal Dey.

The "Kajol Rekha" actress remarked that the film presents an innovative and distinct storyline. She mentioned, "I constantly seek new stories and different roles to challenge myself. This film is no exception."

She also expressed her hope that "Aranyer Prachin Probad" will be released in the first week of July adding, "I have great faith in the audience's reception of this film."

In addition to Mithila, Silajit Majumder, and Jeetu Kamal play significant roles in the film. Regarding her co-stars, Mithila commented, "I thoroughly enjoyed working with them. Each actor brought their unique acting skills to their characters."

Regarding director Dulal Dey, the actress shared, "Though he is known as a cricket journalist, Dey has directed an exceptional film."

Meanwhile, Mithila's last film, "Kajol Rekha", has garnered significant praise. Furthermore, the web-series "Baaji", in which she stars among others, is being warmly received by the audience.​

 

[Saif]

‘Nirvana’ bags Special Jury Award in MIFF

New Age, a Dhaka-based leading English language daily newspaper, is a major source of news of Bangladesh and international affairs

www.newagebd.net

'Nirvana' bags Special Jury Award in MIFF
Cultural Correspondent 27 April, 2024, 19:36

Bangladeshi filmmaker Asif Islam and actress Priyam Archi attends 46th Moscow International Film Festival in Russia. | Collected photo.

Bangladeshi filmmaker Asif Islam's directorial venture titled 'Nirvana' has bagged the Special Jury Award at the 46th Moscow International Film Festival.

The 46th Moscow International Film Festival was held from April 19 to 26.

The eight-day film festival featured 240 films from 56 countries. The awards ceremony of the festival was held on Friday in Moscow, Russia.

Asif Islam and the film's actress Priyam Archi attended the film festival.

Asif confirmed the news in a post on his Facebook page.

He wrote, 'We did it! Special Jury award for Bangladesh.'

Priyam Archi shared her reaction to winning the award in a video posted on her Facebook page.

She said, 'Nirvana has won the Special Jury Award at the closing ceremony of MIFF. The film's director Asif Islam has received the award.'

Besides, 'Shame', directed by Miguel Salgado and co-produced by Mexico and Qatar, won the Best Film Award and Iran's Nahid Azizi Sedigh bagged the Best Director Award for her film titled 'Cold Sigh'.

Yulia Trofimova's directorial venture 'Liar' won the Silver Saint George award in the Russian premiere competition section.

Russian filmmaker Sergey Ursulyak was honoured with the MIFF award for an outstanding contribution to world cinema.

The Moscow International Film Festival was founded in 1935. It is the world's second oldest film festival after the Venice International Film Festival.​

 

[Saif]

I’m happy to be ruling over the hearts of Bangalis: Shakib Khan

Shakib Khan’s “Toofan” was released in 47 theatres, including South City, Star Theater, and Lake Mall in Kolkata, on July 5.

www.thedailystar.net

I'm happy to be ruling over the hearts of Bangalis: Shakib Khan

Photo: Collected

Shakib Khan's "Toofan" was released in 47 theatres, including South City, Star Theater, and Lake Mall in Kolkata, on July 5.

As part of the film's promotion, Shakib Khan visited Kolkata to talk about his film with his fans. The premiere was held at Kolkata's South City Mall. Earlier, the makers of "Toofan" held a press conference to discuss the film with the media.

Shakib Khan also gave various interviews to media outlets in Kolkata, describing himself as the undefeatable "King of Bangali peoples' hearts."

The megastar of Dhallywood was asked if he was moody - "Shakib Khan is known as the 'King of Bangladesh.' Everybody wants to know how you reign over people's hearts when some people complain that you are moody. What's your answer to that?"

Shakib Khan replied, "Well, I feel people who think I am moody are mostly those who haven't seen or known me personally. Do you really think I am moody?" he added with a big smile.

He then went on to state that he has many enemies. "One can rule over people's hearts in two ways - through fighting and love. I have won the hearts of people without any competition and I am the king of Bangali people's hearts."

Shakib Khan is not only the megastar of Dhallywood; he is also one of the superstars of Bengali cinema and the poster boy of Bangladeshi cinema.

On this day, the actor was asked about his sense of responsibility for the success of his movies. "More than 250 films and numerous super hit movies under your name. Currently, your film 'Toofan' is doing exceptional business both in Bangladesh and abroad. Do you feel that you have a huge responsibility towards the industry?" asked the journalist.

The "Toofan" actor gave a blunt and honest reply to the reporter and said, "Earlier, I used to work a lot concentrating on the quantity of work instead of quality. Some of the films were good, while others were average. Many of the directors used to even come to me and tell me, 'bhai I am in a lot of trouble. Can you please work on my film?'. I did those films for the sake of industry and out of a sense of responsibility. I did those films in order to support the cinema halls."

Despite numerous setbacks and hurdles, Shakib Khan came to understand that the people of Bangladesh love him deeply and that he also enjoys a significant fanbase outside the country.

"I am really grateful that people from outside the country also love me. They appreciate my work and praise me when I do well. That's when I decided to focus on quality films, leading to 'Toofan', which is now doing well in theatres," concluded the actor.​

 

[Saif]

Babita recovers from COVID

On July 18, widespread unrest erupted nationwide under the pretext of quota reform protests, leading to blockades throughout Dhaka and a citywide internet blackout. Amidst this turmoil, iconic actress Babita tested positive for the coronavirus.

www.thedailystar.net

Babita recovers from COVID

Photo: Collected

On July 18, widespread unrest erupted nationwide under the pretext of putting a stop to quota reform protests, leading to blockades throughout Dhaka and a citywide internet outage. Amidst this turmoil, iconic actress Babita tested positive for the coronavirus.

The news was confirmed to the media by Babita's younger sister, actress Champa.

On Saturday, July 27, Champa announced that after four days of treatment at a private hospital in Dhaka, Babita tested negative for COVID-19. Following the doctor's advice, she returned home but continued to experience physical weakness.

Champa shared, "Apa had been feeling body aches for several days. Though there was no fever, she felt unwell. After getting tested, we learned she was COVID-19 positive. Without any delay, I admitted her to a private hospital in Dhaka on July 18."

Champa also mentioned, "The situation in the country was quite concerning at the time. Amidst all this, the news of Apa contracting COVID-19 came as a shock to us. Alone, I felt uncertain about how to proceed. Then, after discussing with our elder sister, actress Shuchanda, we decided to get her admitted to the hospital promptly. After four days of continuous care, she returned home free from the virus. We are relieved for now."

This wasn't the first time Babita had been infected with Coronavirus.

Farida Akhtar Poppy, famously known as Babita, is a legendary actress in Bengali cinema. She captivated audiences with her performances as an indomitable heroine on the black-and-white screens of Bengali films during the 70s and 80s, and continues to hold a special place in the hearts of her fans.​

 

[Saif]

71 for Babita, Bangla’s original diva

Babita began her journey in cinema 50 years ago. From romantic to social films, the actress is known for her mesmerising performance throughout her career. She has countless fans both at home and abroad.

www.thedailystar.net

71 for Babita, Bangla's original diva

Photos: Shahrear Kabir Heemel

Today marks the 71st birthday of veteran actress Babita. Recently, she was diagnosed with COVID-19. She returned home after four days of treatment at a private hospital in the capital.

Babita began her journey in cinema 50 years ago. From romantic to social films, the actress is known for her mesmerising performance throughout her career. She has countless fans both at home and abroad.

The Daily Star caught up with her to learn about her health updates, her birthday plans, and more.

"Suddenly, I contracted the virus, however, I returned home after the tests came back negative. I am still feeling weak, and doctors also suggested that I take plenty of rest," shared the actress.

As we spoke, she sighed that she was supposed to spend her birthday with her son in Canada. "I was so careful, yet, I got infected with COVID. Sadly, despite confirming my tickets I couldn't visit my son."

Babita elaborated that she doesn't have any plans for her birthday. "As soon as I return to normal health, I will fly to Canada. I wish to spend time with my son. Today, I am missing him a lot."

Babita is grateful to everyone who wished her on her birthday. "So many people reached out to me, and I am grateful to them. People still love me today, and this makes me feel that life is extremely beautiful."

When asked about her achievements during her entire career, the once sensational actress said, "Everything I have received in my artistic life is an achievement. However, the love of the people is the greatest achievement of an artiste's life. There can be no greater reward than this."

Recalling a memory from a year ago, Babita said, "Last year, a significant event happened in my life. As I visited my son during my birthday, I went to Dallas from Canada. The mayor there honoured me with a lifetime achievement award. I will always remember the event."

When asked about her once favourite place, BFDC, the Ashani Sanket actress said, "I haven't been to BFDC in a long time. I don't feel like going. As far as I know, the floors from our time are being demolished. There will be a multi-story building there."

She further said, "We have countless joyful memories surrounding BFDC. There are memories of shooting many movies there."​

 

[Saif]

Dhallywood in crisis again

There’s no audience in the halls. The plans of releasing new films is being cancelled as well. Everyone concerning the film industry including producers, directors and hall owners are facing losses. This has put Dhallywood into fresh crisis.

en.prothomalo.com

Dhallywood in crisis again
Entertainment Correspondent Dhaka
Updated: 02 Aug 2024, 13: 01

People had returned to cinema halls with the film 'Toofan'.taken from Facebook

Movie theatres in the country have fallen into a crisis in the ongoing unrest centering the quota reform movement. Like everything else, the cinema halls too were shut during curfew. The single screens and the multiplexes started reopening once the curfew was relaxed.

But there are no people in the halls. Plans of releasing new films are being cancelled as well. Everyone in the film industry including producers, directors and hall owners are facing losses. This has put Dhallywood into fresh crisis.

Even in the fifth week since the Eid holidays, there was significant interest about films among the audience while the situation was normal. There was crowds on the weekends. Meanwhile, some of the single screens started reopening when the curfew was relaxed. And after taking some time to observe the situation, the multiplexes started reopening from last Thursday.

Senior marketing officer of Star Cineplex, Mezbah Uddin Ahmed said, "Back when the situation was normal, we had 48 shows of the film 'Toofan' in our multiplex. We were hopeful that if it continues like this we would be able to run smoothly when there's another quality film. But, you can say the business has taken a nosedive amid this unrest."

Star Cineplex UNB

"Where we used to get 100 per cent audience earlier, there's not even 10 per cent viewers now. We suffered a huge loss. Though the situation seems to be improving a bit, will there be as much audience as before when the situation is better? Just as we suffered losses, the whole film industry also came under threat," he added.

Reportedly, there are only two shows running at the Cineplex, one at 11:00 am and the other at 1:00 pm. The hall owners stated, most of the time except for the Eid holidays, they do not even earn enough to meet the expenses properly at the end of the month.

Under such circumstances, they were becoming hopeful centering the two Eid holidays. For, the audience was coming back to the halls after a long time. Before this unrest, Manihar cinema hall in Jashore made a good profit from screening the film 'Toofan'. But, the earnings have stopped altogether now.

Managing director of Manihar Cinema Hall, Ziaul Islam told Prothom Alo, "We took a big hit there. The audience was regularly visiting the cinema halls. Now there has been such a break that it just ruined the continuity of audience coming to cinemas."

Actress Nazira Mou and actor Indraneil Sengupta in a scene of the upcoming film 'Nandini'.Collected

"Even if the situation turns normal now, it doesn't seem there would be as many audiences coming back like before. Plus, there have to be quality films," added he.

Some think films have to be released and promoted one by one through proper planning when the situation has become normal. Only then the desolate cinema halls will become houseful again.

Senior vice president of the Hall Exhibitors Association Mia Alauddin said, "We don't have the capability to meet the losses that has been caused to the film industry this time. As it is there are not many cinema halls left."

"The ones that survived were also limping. In this situation who would come forward to release a film! The achievements from the films Poran, Hawa, Shurongo, Priyotoma and Toofan just went in vain. The empty cinema halls need government's help now," Mia Alauddin added.

According to Hall Exhibitors Association information, for the time being there's no possibility of any new film being released in the current condition of the country. A film named 'Haimantir Itikatha' cancelled out of the release list last Friday. The director of the film is worried about when will he release the film later.

Meanwhile, another film 'Nandini' was on the way to be released next Friday. Director of the film Shoaibur Rahman doesn't want to release the film amid the current situation.

Actor Parambrata Chattopadhyay in a scene of the film 'Ajob Karkhana'.Prothom Alo

He said, "Seeing a good influx of audience we had planned to release our film on 2 August. Everything was finalised. The situation is such that audience does not have the mentality to visit the cinemas now. If there's no audience how will we get our investments back?"

We are planning on releasing the film at the end of August if the situation turns normal. Meanwhile, we are following up on the release date of Shakib Khan's film 'Dorod'. We might also delay the release of our film to the end of September."

The last film that released after the Eid holidays is 'Ajob Karkhana'. While the film welcomed audience till 17 July, all the shows got cancelled after that.

Director of the film Shabnam Ferdousi, said, "We were getting audiences as expected. We had an audience on Wednesday also. After that, there have been no screenings of the film till now. Now we are waiting for the cinema halls to reopen fully. May be then we will be able to release the movie again."

From the business perspective, Dhallywood is faced with huge losses. The damage that has been done cannot be met in any way, believes former leader of the producers' association Khorshed Alam Khasru.

He said, "The blow on the business of cinema halls will have an impact on entire Dhallywood. In this environment of fear that has been created, the audience won't leave their house to watch a film at least. Now is not a suitable time to release good movies either."

"If it becomes impossible to even run the films, it will impact the investments also. But if there are better quality movies after the two Eid holidays, they have to be released through proper planning. We have to make up for our losses," he added.​

 

[Saif]

নতুন সংকটে ঢাকাই সিনেমা

সব কিছু ঠিক হতে হয়তো আরও ছয় মাস সময় লেগে যাবে।

bangla.thedailystar.net

নতুন সংকটে ঢাকাই সিনেমা
সব কিছু ঠিক হতে হয়তো আরও ছয় মাস সময় লেগে যাবে।

এফডিসির ফাইল ছবি | সংগৃহীত

সরকারি চাকরিতে কোটা সংস্কারের দাবিতে আন্দোলন শুরু হওয়ার পরেই ঢাকাই সিনেমায় নেমে এসেছিল স্থবিরতা। দীর্ঘদিন থেকে বন্ধ নতুন সিনেমার মুক্তি, হয়নি শুটিংও।

অন্তর্বর্তীকালীন সরকার গঠনের পর শুরু হয়েছে নতুন সিনেমার শুটিংয়ের পরিকল্পনা। তবে ঠিক কবে থেকে নতুন সিনেমার শুটিং শুরু হতে পারে তা নির্দিষ্ট হয়নি।

সংশ্লিষ্টরা বলছেন, এর প্রধান কারণ প্রযোজক ও প্রযোজনা সংস্থাগুলোর অনীহা। এই পরিস্থিতিতে সংস্থাগুলো নতুন কোনো সিনেমায় বিনিয়োগ করতে রাজি না। পরিস্থিতি স্থিতিশীল হলে চলচ্চিত্র নির্মাণে গতি ফিরবে।

তাদের ধারণা, সব কিছু ঠিক হতে হয়তো আরও ছয় মাস সময় লেগে যাবে।

বিগ বাজেটের সিনেমা 'বরবাদ' রয়েছে শুটিংয়ের শুরুর তালিকায়। এর প্রধান চরিত্রে থাকছেন শাকিব খান। আগামী সেপ্টেম্বরের শেষে বরবাদ সিনেমার শুটিং হওয়ার কথা ছিল। প্রযোজনা প্রতিষ্ঠান সূত্র জানিয়েছে, সিনেমাটির শুটিং পিছিয়েছে। কবে নাগাদ শুরু হবে, তাও অনিশ্চিত।

মেহেদী হাসান হৃদয় পরিচালিত সিনেমাটিতে শাকিব খানের বিপরীতে থাকার কথা ভারতের নায়িকা ইধিকা পালের। পিছিয়েছে শাকিব খানের আরও একটি সিনেমার 'শের' এর শুটিং। আগামী ডিসেম্বরে শুটিং শুরু হওয়ার কথা ছিল।

সেপ্টেম্বরে শুটিং শুরুর কথা ছিল সাইফ চন্দন পরিচালিত শরীফুল রাজ-ইধিকা পালের সিনেমা 'সাহেব'। সংশ্লিষ্টরা জানিয়েছেন, আপাতত শুটিংয়ের কোনো পরিকল্পনা নেই।

পূজা চেরি অভিনীত 'মাসুদরানা' সিনেমার বাকি অংশের শুটিং চলতি মাসের মাঝামাঝিতে শুরুর পরিকল্পনা ছিল। সেটিও বাতিল হয়েছে। পরিচালক সৈকত নাসির আশা করছেন, আগামী কয়েক মাসের মধ্যে শুটিং শুরু করা সম্ভব হবে।

চিত্রনায়িকা পূজা চেরি ও আদর আজাদকে নিয়ে 'দরদীয়া' নামে একটি সিনেমার শুটিং চলতি বছরেই শুরুর কথা ছিল। বর্তমান পরিস্থিতিতে সেটিও অনিশ্চয়তার মুখে পড়েছে।

কয়েকজন পরিচালকের সঙ্গে কথা বলে জানা গেছে, তারা নতুন সিনেমার শুটিং শুরুর কথা ভাবছেন না।

পরিচালক সমিতির সাধারণ সম্পাদক শাহীন সুমন দ্য ডেইলি স্টারকে বলেন, 'আপাতত এফডিসিতে নতুন কোনো সিনেমার শুটিংয়ের কথা আমার জানা নেই। বাইরে থেকে অন্য কেউ হয়তো করতে পারে। আগামী কয়েক মাস এভাবেই যাবে। তারপর পরিচালকরা হয়তো নতুন সিনেমার শুটিংয়ে ফিরবেন। এসব পরিকল্পনা আগামী এক মাসের মধ্যে জানা যাবে।'

পরিচালক অনন্য মামুন ডেইলি স্টারকে বলেন, 'যেসব সিনেমার শুটিং হওয়ার পরিকল্পনা ছিল সব পিছিয়েছে। নতুন কোনো সিনেমার শুটিং এখন হবে না। যারা সিনেমা প্রযোজনা করতেন, তারা একটু সময় নিচ্ছেন। শাকিব খানকে নিয়ে শের নামে একটি সিনেমার পরিকল্পনা ছিল ডিসেম্বরে। সেই পরিকল্পনাও বাদ দিতে হয়েছে। প্রযোজনা সংস্থাগুলো কিছুটা পিছিয়ে গেছে। আগামী বছর নাগাদ এই সিনেমার শুটিং শুরু করতে পারবো বলে আশা করছি।'

পরিচালক সৈকত নাসির ডেইলি স্টারকে বলেন, 'চলতি মাসেই মাসুদরানা সিনেমার শুটিংয়ের জন্য দেশের বাইরে যাওয়ার পরিকল্পনা ছিল। আপাতত সেটা হচ্ছে না। হয়তো আগামী দুই তিন মাসের মধ্যে শুটিং শুরু করা যাবে। দেশের অর্থনৈতিক অবস্থা তেমন ভালো না। প্রথমে মানুষের বেঁচে থাকা, চিকিৎসা, শিক্ষা, তারপর অন্য কিছু। আশা করছি, আগামী কয়েক মাসে সব ঠিকঠাক হয়ে যাবে।'

পরিচালক সাইফ চন্দন বলেন, 'এখন সিনেমার শুটিং করার মতো সময় না, এখন দেশ গড়ার সময়। আমার পরিচালনায় বিগ বাজেটের সিনেমা সাহেব আগামী সেপ্টম্বর মাসে শুটিংয়ের পরিকল্পনা ছিল। অভিনেতা শরীফুল রাজ-ইধিকা পাল দুজনই চুক্তিবদ্ধ হয়েছিলেন প্রযোজনাংস্থার মাধ্যমে। কিন্তু আপাতত শুটিংয়ের পরিকল্পনা নেই। কবে হবে সেটাও জানি না।'​

 

[Saif]

New Bengali film hits theatres today after hiatus

On July 12, Shabnam Ferdousi's “Ajob Karkhana” was the last movie to be released in cinemas. Since then, no new films have been released due to the unrest surrounding the Anti-Discrimination Student Movement, the fall of the Awami League government, and the formation of an interim government.

www.thedailystar.net

New Bengali film hits theatres today after hiatus

Photos: Collected

After a long pause of one and a half months, a new film is finally hitting theatres across the country today.

On July 12, Shabnam Ferdousi's "Ajob Karkhana" was the last movie to be released in cinemas. Since then, no new films have been released due to the unrest surrounding the Anti-Discrimination Student Movement, the fall of the Awami League government, and the formation of an interim government.

The film industry came to a standstill. The period after the previous government's collapse also saw attacks on multiple cineplexes and halls across the country, with many theatres still remaining closed.

Amid this turbulence, Monowar Hossain Dipjol's "Omanush Holo Manush" is the first film to be released after the shift in power. The film is set to screen in 21 theatres, nationwide.

Directed by Montazur Rahman Akbar, "Omanush Holo Manush" was initially scheduled for release on August 9, but the unstable situation in the country led to a last-minute postponement.

Monowar Hossain Dipjol, who produced the film and plays the lead role, explained, "I always think about the film industry. Due to the current situation, many cinemas have been closed for a while. If this continues, many theatre owners will face financial ruin. My film is ready for release, so I've decided to go ahead with it, considering the plight of the theatre owners."

Alongside Dipjol, the cast includes Joy Chowdhury, Mou Khan, Mahmudul Islam Mithu, Rasheda Chowdhury, and Jackie Alamgir, among others.

However, despite overcoming the initial obstacles, the film now faces a new challenge: The worsening flood situation across the country. This raises concerns about how far the film will reach its audience.

Joy Chowdhury, the film's lead actor, expressed his mixed feelings, saying, "It's certainly a joyous occasion that a new film is being released after such a turbulent time. We always want new movies to regularly screen in cinemas. That's why the release date was set. But seeing the suffering caused by the floods has been disheartening."

"Many people are struggling to find shelter. In light of this, the excitement of the release has diminished. I pray that the flood-affected people overcome this difficult time and urge everyone to stand by them."​

 

[Saif]

Nayakraj Razzak: A new man in the 1960s

In the often-treacherous world of showbiz, there is always “something else” beyond mere skill, charisma, and looks that contributes to stardom.

www.thedailystar.net

Nayakraj Razzak: A new man in the 1960s

Nayakraj Razzak (January 23, 1942 - August 21, 2017)

In the often-treacherous world of showbiz, there is always "something else" beyond mere skill, charisma, and looks that contributes to stardom. A hero is unique, irreplaceable, and reigns until the time of another hero arrives. A hero representing a specific era in film often signals something new, marking the arrival of his time and distinguishing him from the hero of the previous generation. The identifiable traits in a star usually cannot be replaced by those of another, as in a Fordist-Taylorist model of enforced standardized methods. Therefore, there is an element of irreplaceability in a star.

Irving A. Thalberg, Hollywood's "boy wonder" producer, saw this in stars. He famously said that in movies, more than anything else, the actor is "the thing." If Thalberg is one of the founders of what André Bazin called the "genius of the system," there is another strand of filmmaking. François Truffaut learned from Jean Renoir that the actor portraying a character is more important than the character itself.

Representative film stars, particularly those who play leading roles, frequently embody larger-than-life or deeply relatable characters on screen, so these portrayals and the presence of the stars allow us to explore the historical contexts in which such heroes became possible.

Razzak, who earned the honorific title of Nayakraj, meaning "the king of heroes," is widely recognized as the most famous and successful movie star in the Bangladeshi film industry. By the mid-1960s, his presence loomed large on the silver screen of Bengali cinema in East Pakistan, and it never "got small." Over a career spanning more than half a century, in addition to immense cinematic success, Razzak achieved the status of a cultural icon. What kind of hero was Razzak, considering his arrival, rise, and elevation to prominence coincided with a time when the political and cultural life of Pakistan's eastern province was undergoing unprecedented changes? Razzak's significance is related to and needs to be understood in the context of the time when the political and cultural realities of East Pakistan were presenting new possibilities.

A scene from Behula

After a period of struggle and uncertainty upon arriving in East Pakistan as a refugee from West Bengal, Razzak's first major cinematic break came with Behula. Based on the Mangal-Kavya and directed by Zaheer Raihan, this movie is one of the most significant cinematic creations in East Bengal. Razzak's entry in the film was not marked by the typical dazzling, low-angle shot often reserved for heroes. His entrance was rather natural and spontaneous. As Lakhindor, the beloved youngest and only surviving son of the wealthy merchant Chand Saudagar, Razzak walks into the frame unwittingly and, without much care, enters the realm ruled by the snake-goddess Manasa Devi, carrying a peacock—an animal that the deity views as an arch-enemy.

Behula was an instant blockbuster. In this movie, Razzak as Lakhindor is cursed by the snake goddess Manasa due to her wrath against his father. From halfway through the film, Razzak had to portray a dead character whose body is taken to heaven by his wife, Behula. Yet the audience felt deep sympathy for this character and discovered the star they had longed for. Rafiuddin Babu, the writer of the only biography available on Razzak, has rightly said, "From the cursed Lakhindor, there occurred his radiant rise." It was a significant film not only for Razzak's career but also for revitalising Bengali cinema. The success of Behula, much like Rupban, released a year earlier, helped sustain Bengali cinema and played a crucial role in rekindling Bengali cultural nationalism. Coincidentally, both the famous Six-Point Demands and Behula appeared in the same year—1966.

Bengali film enthusiasts had been trying to establish a film industry in East Bengal since the early 1950s. From the mid-1950s to 1962, most of the films produced in East Bengal were Bengali. However, during the heyday of Ayub Khan's rule, many Bengali film producers turned to making Urdu films, as Bengali cinema faced hostility from the government, both in terms of opportunities and censorship. For instance, in 1963, there were sixteen films under production in East Pakistan, but only three were in Bengali.

At this juncture, Zaheer Raihan and Salahuddin turned the tide for Bengali cinema by deciding to make folk-fantasy genre films. It seems that while Bengali filmmakers were struggling, they figured out that films based on folklore and legends lent an element of originality and authenticity, making them distinct from others' stories. Hegel identified legends, ballads, and traditions as fugitive, shadowy elements, and poetic expressions belonging to a nation's half-awakened state. Perhaps these "dim and hazy forms" have a profound connection to the people's psyche, which explains Behula's success. Equally significant was the role played by Razzak. Filmmakers and movie lovers discovered in Razzak a hero they could capitalise on and relate to. Zaheer Raihan understood this, which is why he was adamant about casting Razzak, despite reservations from many.

Poster of Jiban Theke Neya

Razzak may not have been the most manly actor in the traditional sense, nor even the best in terms of acting skill. When he arrived in Dhaka, the film scene was not empty—there were already good actors who had a certain degree of acceptance in romantic, tragic, or social hero roles. Yet, at a time when Bengali cinema was struggling to carve out a niche in East Pakistan, Razzak brought a unique affective quality to the screen that resonated with the masses. All the established stars before him were involved in both Bengali and Urdu films. Razzak was the first star who concentrated solely on Bengali films.

Razzak's immense popularity among the masses and the high demand from filmmakers can be gauged by the fact that between Behula in 1966 and 1970, he was cast in nearly 45 leading roles, with almost all of them being commercially successful. By 1972, he had completed his 100th film—a testament to his popularity and inevitability in the industry.

It is true that Razzak was, on the surface, modelled after other heroes of the subcontinent, most notably Uttam Kumar. Directors likely cast him with the image of those heroes in mind, seeing a resemblance or shadow of them in Razzak. Even his fans and cinema-goers noticed similarities between Razzak and these established movie stars. However, despite the outer resemblance to other stars, the characters he portrayed—righteous youngest sons, unemployed youths, writers, and protesting students—brought originality and authenticity to his roles, shaped by the specific historical and sociological context of the time.

To understand what Razzak brought to the screen, we need to look at 1960s East Pakistan. The 1960s in East Pakistan were marked by stark contrasts, despite Ayub Khan's well-publicised narrative of development and progress. Signs of modernisation and the availability of modern amenities were evident. However, only a select few could bask in the affluence generated by the military-bureaucratic dictatorship—primarily upper-echelon government employees, a few businessmen, and successful professionals like doctors and university professors.

While the elite group relished the cosmopolitanism of the Ayub regime, on the other end were the grim and emaciated masses—workers, porters, peasants, and rickshaw pullers with bidis tucked behind their ears, street urchins staring into the glass windows of toy stores, and angry, impoverished students with little hope for jobs and a better future. In this situation, seeing a young man in his early twenties like Razzak—jolly, full of life, and pleasant—was definitely refreshing.

A star represents social reality and thus reflects the desires of the people. When we see Razzak in the films of the 1960s, it's impossible not to notice his fresh and jovial presence. We see him coming back from university, dancing and singing to "Neel Aakasher Niche Ami Rasta Cholechi Eka." He is going out with Kabori, Sujata, or Shabnam on romantic and amatory adventures in the Garden of Ramna, on a boat on the river, or in a popular couple's spot on the outskirts of Dhaka. Razzak exudes a sense of newness. He often arrives late to a rendezvous, playfully coaxing and cajoling his sweetheart for making her wait. The song of persuasion and flattery by a prospective lover, "Aynate Oi Mukh Dekhbe Jakhon," or the beautifully poetic and romantic song of courtship, "Tumi Je Amar Kobita," embody something new for the audience. These culturally and aesthetically significant songs encapsulate this new spirit and possibility.

What I want to convey about Razzak's acceptance becomes more tangible in Jibon Theke Newa, another Zaheer Raihan film that stands as the most significant cinematic creation in the history of Bangladeshi cinema. This powerful political film was set against the backdrop of the mass movements of 1969 and was released in 1971. Razzak, as part of an ensemble cast, plays one of the main characters—a student leader living under the oppressive rule of his autocratic sister, who governs the household with an iron fist, much like Ayub Khan ruled the country. The film was an allegory for the military dictatorship of Ayub.

Although Razzak's character is crucial to the movie, he has less screen time than some of the other key characters. Yet, the way his character is portrayed is both distinctive and indicative of something new. He first appears during the Prabhat Pherry on February 21st, singing the anthem of the language movement. Throughout the film, he is rarely seen inside the house. Instead, he is always outside—at the Shaheed Minar, at Curzon Hall, or leading protests with fellow students, workers, and peasants. When he returns home from the Prabhat Pherry, barefoot, he enters without tiptoeing. When his domineering sister scolds him for being out and threatens to end his education, he barely pays attention. Unlike others in the family, Razzak's character is distinctively defiant, shrugging off the house's prescribed strict rules and norms.

His character in Jibon Theke Newa embodies the spirit that poet Shamsur Rahman eloquently wrote about in his poem, where the grandfather, astonished, wonders, "Who is it that frequents this old house?" He is like the character Rahman cast from the resounding streets of 1969—the teenagers, full of life, who ignored the cautionary tales of their elders, rolled up their shirt sleeves, and swiftly joined the unadulterated exultation of the endless processions. It is worth noting that in 1971, much like his movie character, Razzak took to the streets to protest against the military dictators of Pakistan.

If we are to use the hackneyed but relevant phrase that social change is first reflected in the arts, then it can be said that Razzak, as a star, was contemporaneous with—or even a progenitor of—the youths who would soon participate in mass movements and the liberation war. If workers, students, writers, and intellectuals were agents of the changing sixties, so too was Razzak through the more popular medium of cinema. We cannot downplay the political and cultural significance of the popular cultural expressions embodied in the characters Razzak portrayed in his movies during the sixties.

To be continued...............​

 

[Saif]

Razzak's life itself tells the story of a tumultuous and fascinating time when national identity, belonging, and prospects were in flux. Born in 1942 into a well-to-do Muslim family in the predominantly Hindu neighbourhood of Naktala in Kolkata, he lost both parents at a young age. This void was filled by the care of his elder siblings and the avuncular love of his neighbours, both Hindu and Muslim. As a lively and energetic adolescent, Razzak was a natural choice for school sports, recitations, and annual plays.

Before long, it was acting that captivated him the most, fuelled by the vibrant theatre and cultural activities in his neighbourhood. Razzak often recalled with pride that cultural luminaries like Chhabi Biswas, Sabitri Chatterjee, Manju Dey, and Ravi Bhattacharya lived in his para. He reminisced that the theatre and cultural milieu of his locality ignited his passion for acting. Not only did he observe these figures, but he also had the opportunity to learn from them. He fondly remembered that after his first school theatre performance, where Chhabi Biswas was the guest of honour, Biswas gently admonished him for turning his back on the audience while on stage. For some time thereafter, Razzak learned recitation and acting techniques from Chhabi Biswas.

Although it was his school teacher who introduced him to the world of theatre and acting, it was Piyush Bose, the founder and director of Rangasabha, who became his true mentor in the art of acting. Once Razzak became involved in theatre activities, it wasn't long before he fell in love with the craft, making acting his passion. The enchanting world of performance, which would later bring him fame, may have also provided refuge for the orphaned Razzak. In a television interview, he shared that during his adolescent and early adult years, acting was all he could think about. He spent countless days and nights rehearsing, honing his craft with unwavering dedication.

It was with Piyush Bose that Razzak first visited the film studios in Kolkata's Tollygunge, where he met his screen idol and the iconic star of the time, Uttam Kumar. These visits sparked in Razzak the dream of becoming a movie star. In the meantime, he once fled to Mumbai, where he completed a nine-month course to hone his acting skills.

In Satyajit Ray's Nayak, the protagonist Arindam Mukherjee's theatre guru, Shankar Da, warns his talented disciple about the lures and traps of the dazzling but hollow life of the film industry. "You will become a puppet in the hands of the director," he cautions. Shankar Da, a stern moralist, is convinced of the pure and high art of the theatre world, contrasting it with the money, corruption, and treachery of the film industry. Unlike the Shankar Da of real life, Razzak's real-life Shankar Da, Piyush Bose, took the middle path. While deeply invested in theatre, Piyush Bose was also involved in filmmaking. He cast Razzak in a few minor and uncredited film roles. He wanted his disciple to be successful, but at the same time, he seemed acutely aware of the challenges a Bengali Muslim youth would face in the Kolkata film industry, which was already saturated with established and talented actors.

As Razzak struggled to find opportunities in Tollygunge, Piyush Bose suggested that he try his luck in East Pakistan, a burgeoning film industry. Bose introduced him to several members of the East Pakistani film fraternity who frequented Kolkata for film-related work. Anyone familiar with the post-partition social and cultural realities of East and West Bengal would understand the implications of Bose's advice. In a Muslim-majority country, it would likely be easier for a Muslim youth like Razzak to succeed as an actor. Given the political and cultural milieu of the time, such advice from experienced individuals to the younger generation was common, considered pragmatic, and offered in good faith.

However, to Razzak, despite East Pakistan being just across the border, it seemed like a far and wild country. Naturally, the glittering film studios of Kolkata or Mumbai were far more enchanting to him than the unknown prospects in East Pakistan.

In interviews and autobiographical essays, Razzak often reflected on his upbringing in a predominantly Hindu neighborhood, emphasising that he never experienced any discrimination nor harboured ill feelings towards Hindus. He was everyone's favourite "Raja." However, in an autobiographical essay published in Bichitra in 1992, he did hint at noticing a Hindu-Muslim divide within the film industry.

Razzak's decision to migrate to East Pakistan after the riots of 1964 mirrors the experiences of many others who were heartbroken, saddened, and deeply affected by witnessing how long-familiar communities could turn hostile during communal riots. Initially, Razzak planned to move to Mumbai, the heart of India's film industry. However, Piyush Bose convinced him otherwise, noting that Mumbai was already overcrowded and that Bengalis were not faring particularly well there. Consequently, Razzak arrived in East Pakistan as a refugee at a time when many were moving in the opposite direction—from East Pakistan to West Bengal.

As a young boy, Razzak regularly acted in Salil Sen's immensely popular partition-based play Notun Ihudi, which was staged in major theatres across Kolkata as well as in various neighbourhoods. Razzak gained popularity and praise for his portrayal of Mohan, the youngest child of an East Bengali Hindu refugee family in Kolkata, who struggles to help his family survive in the cruel post-1947 days. It is both interesting and ironic that, to some extent, Razzak played the role of Mohan in real life as well.

In the aftermath of Partition, many artists migrated from one country to another. While they left behind their birthplace and familiar surroundings, they also played a pivotal role in rebuilding the new societies they arrived in, which were often scarred by division and bitterness. Against this backdrop of loss, these artists made immense contributions to the process of recovery by creating beauty through their art. We often overlook this aspect of the subcontinent's history. Even as these artists enriched their adopted countries, their personal views of leaving behind home remained untainted. Over time, they became loved and accepted by all, transcending borders and divisions. Razzak is a shining example of this group of artists.

Mohammad Afzalur Rahman is a lecturer in the Department of History and Philosophy at North South University.

 

[Saif]

Mehazabien heads to Toronto for her debut film premiere

Although the film is yet to be released in Bangladesh, "Saba" will make its debut premiere at the prestigious Toronto International Film Festival (TIFF) next month. This marks a major milestone for Mehazabien, as she transitions from the small screen to the international cinematic stage and the...

www.thedailystar.net

Mehazabien heads to Toronto for her debut film premiere

Photos: Collected

Renowned Bangladeshi actress Mehazabien Chowdhury, celebrated for having undertaken diverse roles in television dramas, telefilms, and OTT platforms, is about to embark on a new chapter in her career. This time, she is set to captivate audiences with her debut feature film, "Saba", which is gearing up for a significant release.

Although the film is yet to be released in Bangladesh, "Saba" will make its debut premiere at the prestigious Toronto International Film Festival (TIFF) next month. This marks a major milestone for Mehazabien, as she transitions from the small screen to the international cinematic stage and the silver screen.

Expressing her excitement, Mehazabien shared, "This is a moment of immense joy for me. I'm thrilled that 'Saba' will be premiered at such a renowned international film festival even before its official release."

The actress revealed that she will soon be heading to Toronto to attend the festival. "Initially, I had hoped for the film to be released in Bangladesh first, where I could watch it with my family and close friends in the local cinema. However, now I'll have the honour of seeing it on an international stage," she added.

The world premiere of "Saba" is scheduled for September 7, with additional screenings on September 8 and 18. The film has already garnered significant attention, with tickets for the premiere selling out within just three days. Reflecting on this, Mehazabien said, "Hearing that all the tickets for the premiere are sold out has overwhelmed me. It feels incredible. I hope the film garners international acclaim, and that the reputation of Bangladeshi cinema spreads across the globe."

Directed by Maksud Hossain, "Saba" marks his debut as a filmmaker. The film also represents Mehazabien's first venture into cinema, a growth she has embraced with enthusiasm and dedication. The story of "Saba" revolves around the life and struggles of its titular character.

In closing the conversation, Mehazabien emphasised the team's immense dedication, "We all poured our hearts into this film. Every actor gave their best, and the director handled the project with great care."​

 

[Saif]

Abolishing film censor board is a positive step

THE interim government just announced that Bangladesh’s Film Censor Board will be discarded and turned into a Certification Board. This is a huge relief for those of us who have been vocal against all kinds of censorship not only during the Awami League regime but even prior. This decision...

www.newagebd.net

Abolishing film censor board is a positive step
25 September, 2024, 00:00

As masses of people engage in discussions on state reform, we must remember that simply changing the individuals in certain roles and positions means changing the managers of the state while keeping the old state apparatus intact. Abolishing the Censor Board has shown that radical steps can be taken, writes Sarah Nafisa Shahid

THE interim government just announced that Bangladesh’s Film Censor Board will be discarded and turned into a Certification Board. This is a huge relief for those of us who have been vocal against all kinds of censorship not only during the Awami League regime but even prior. This decision, while long overdue, is a significant one as it acknowledges the irrelevance of colonial institutions like the Censor Board in our post-July Uprising reality and similar steps must be taken in other sectors as well.

Bangladesh’s Film Censor Board was a colonial legacy whose role throughout history has been to control culture and suppress opposition for the benefit of the state. It was created in 1918 by the British Raj ‘to prevent the exhibition of objectionable films.’ The first film banned by the British imperial government was Bhakta Vidur in 1921 where the protagonist was depicted wearing the cap in the fashion of Mahatma Gandhi. During Pakistani dictator Ayub Khan’s regime in 1952, the East Bengal Censor Board banned Bengali filmmaker Zahir Raihan’s Jibon Theke Neya. Raihan’s film was critical of Pakistani rule and upheld the emerging revolutionary spirit of the people in then-East Pakistan.

After the Liberation War in 1971, there was an opportunity to get rid of this archaic notion of a Censor Board. But as a new nation state of Bangladesh emerged, consequent ruling classes adapted the oppressive state apparatus of its colonial predecessors.

For many years, filmmakers in Bangladesh have cited the Censor Board as a key reason for not being able to produce quality, thought-provoking mass cinema. In the absence of which, Hindi-language Indian mass cinema has filled that void. But even in India, filmmakers like Anurag Kashyap, Vishal Bhardwaj, Chaitanya Tamhane, Rima Das, and others have been able to challenge their own state narratives and engage in new types of cultural dialogue with mass audiences. The opportunity to engage mass audiences in understanding and challenging state narratives is a privilege that has been denied to filmmakers in Bangladesh for decades.

Few days after the Hasina government fell, an open-air public screening was organised of the banned film Mor Thengari (My Bicycle) by Aung Rakhine, an indigenous filmmaker. The film is set in Chittagong Hill Tracts and explores the language, culture, and politics of the Chakma community who are regularly subjected to surveillance, displacement, and oppression by the Bangladesh Army. To me, this screening embodied the hard-fought freedom and spirit of the July Uprising where any sort of state or military violence can and must be challenged whether on the streets or on the screen.

The recent violence allegedly by Bengali settlers against our Adivasi siblings in Khagrachori and Rangamati stresses the urgency of using cinema and culture as a site of resistance and a site of rejecting hegemonic Bengali nationalism. It also reminded me that the Censor Board is only one of many institutions that we have inherited from our colonial predecessors. There are many others, including the police force and the military.

As masses of people engage in discussions on state reform, we must remember that simply changing the individuals in certain roles and positions means changing the managers of the state while keeping the old state apparatus intact. Abolishing the Censor Board has shown that radical steps can be taken. In fact, now is the time to do it.

Sarah Nafisa Shahid is a Bangladeshi writer and labour activist based in Toronto, Canada. She has written extensively on cinema, culture, and politics in NOW magazine, Hyperallergic, Spring Magazine, and The Daily Star.​

 

[Saif]

Bangladesh filmmaker's 'The Story of a Rock' premiered in US

The debut feature film of filmmaker Zak Mir titled ‘The Story of a Rock’ was premiered at the 19th Tasveer Film Festival in Seattle in the United States on October 19.

www.newagebd.net

Bangladesh filmmaker's 'The Story of a Rock' premiered in US
Staff Correspondent 24 October, 2024, 18:20

Zak Mir | Press release

The debut feature film of filmmaker Zak Mir titled ‘The Story of a Rock’ was premiered at the 19th Tasveer Film Festival in Seattle in the United States on October 19.

Zak Mir said that he was truly honoured to be part of this selection.

The film portrays a teenage girl navigating life in a city slum after her mother migrates to the Middle East for work.

Shouldering her mother’s responsibilities, she cares for her younger siblings, facing eviction, overdue tuition and a grocer’s ultimatum when her mother fails to send money.

Reluctantly, she takes a job as a maid, and the position quickly turns harrowing under an abusive employer, and just as she decides to quit, a fateful encounter changes her life.

After an assault by the house guard, she finds herself imprisoned, only to be unexpectedly freed, and the story of the film moves forward.

Zak stated that he had transitioned from screenplays to his debut feature. ‘While the film isn’t based on a specific true story, it draws from real-life experiences, particularly the struggles faced by women in domestic roles.’

Zak said that music played a crucial role in his filmmaking process. He selected composer Jeffrey Carabelos to create an original score that blended eastern and western instruments.

Safana Nomoni stars as the lead character in the film. The film also features Sahana Rahman Sumi, Nafisa Jarin Moumi, Lara Lotus, and Simrin Lubaba, with notable contributions from Rafaytullah Sohan, Muhtasim Mahim, and Monir Islam in supporting roles, said a press release.​

 

[Saif]

Jisshu Sengupta to finally share screen with Shakib Khan in ‘Borbaad'

The filming of Dhallywood superstar Shakib Khan’s latest movie “Borbaad” is currently underway. Under the direction of Mehdi Hasan Hridoy, the project is being shot in Mumbai, India.

www.thedailystar.net

Jisshu Sengupta to finally share screen with Shakib Khan in ‘Borbaad'

Photos: Collected

The filming of Dhallywood superstar Shakib Khan's latest movie "Borbaad" is currently underway. Under the direction of Mehdi Hasan Hridoy, the project is being shot in Mumbai, India.

Rumours surrounding the film have hinted at some exciting additions to the cast of "Borbaad." It has now been confirmed that celebrated West Bengal actor Jisshu Sengupta, a name that Bangladeshi viewers are already quite familiar with, will be joining the ensemble cast.

Previously, there was excitement around Jisshu Sengupta potentially starring alongside Shakib Khan in the widely talked-about film "Toofan". However, scheduling issues prevented that collaboration. Now, Jisshu has officially joined the cast of "Borbaad".

This upcoming project will mark the first time Shakib and Jisshu appear together on screen. Several individuals involved with "Borbaad" have confirmed Jisshu's participation to The Daily Star.

The majority of the filming for the action-romance movie "Borbaad" is taking place in Mumbai. Shakib Khan is starring alongside Idhika Paul, who plays the female lead. The film is set for a theatrical release on Eid-ul-Fitr next year.​

 

[Saif]

Mahesh Bhatt surprises Shakib Khan at ‘Borbaad’ set

Before leaving, Bhatt embraced Shakib Khan, drawing him close in a gesture that has since gone viral. A photograph of the moment is making the rounds in various film-related social media groups, with people buzzing over the spontaneous interaction. Though attempts were made to reach Shakib Khan...

www.thedailystar.net

Mahesh Bhatt surprises Shakib Khan at ‘Borbaad’ set

Photos: Collected

Bollywood's celebrated producer-director Mahesh Bhatt recently made a surprise visit to Bangladeshi superstar Shakib Khan on the set of his latest film, "Borbaad", at Mumbai's Ellora Studio.

Shakib has been shooting there for the past few days, and just next door was Bhatt, who shares a strong bond with Shailesh Awasthhi, the cinematographer of Borbaad".

Mahesh Bhatt warmly welcomes Shakib Khan on set, sparking cross-border cinema talks

After learning from Shailesh that Shakib Khan was filming nearby, Bhatt decided to drop by. His visit was a delightful surprise, as he spent around 20 minutes with the Dhallywood superstar, engaging in a warm conversation centred around cinema.

Shakib's manager, Monir Zaman, shared that Bhatt expressed deep interest in Bangladesh's film industry, hinting at potential collaborations between the two nations.

Before departing, Bhatt embraced Shakib in a heartfelt moment that has since gone viral. A photo of the embrace, widely shared on social media, has fueled discussions across film-related groups. While efforts were made to reach Shakib Khan, he was unavailable due to his busy shooting schedule.

"Mahesh Bhatt sat with Shakib and discussed how cinema can bridge ties between Bangladesh and India," Monir added. "Bhatt's family's legacy in Indian cinema is vast, and his interest in Bangladesh's film scene is truly encouraging. Who knows, something remarkable might come of this. He even invited Shakib for a future meeting."

The Bollywood stalwart also made time to meet each Bangladeshi crew member on set, greeting them with his characteristic warmth and humour.

Shakib Khan arrived in Mumbai on October 22 for "Borbaad", directed by Mehedi Hasan. Filming began on October 24, and the initial shooting phase will continue until November 10.

While "Borbaad" marks Hasan's debut as a director, he is already a prominent actor with over a hundred TV dramas to his name. The film reunites Shakib Khan with actress Idhika Paul, following their hit pairing in "Priyotoma".

Upon hearing of Mehedi Hasan's directorial debut, Bhatt extended his congratulations, even posting a heartwarming photo on Facebook where he's seen embracing Mehedi with a kiss on the cheek, surrounded by smiling crew members. In his response, Mehedi expressed his gratitude for the gesture.

Set as an action-packed romantic drama, "Borbaad" is slated for release next Eid-ul-Fitr.​

 

[Saif]

The challenges the film certification board faces

Hopeful outcomes from the new establishment will take months or years of work, research and the final formation of the act and its accompanying set of rules.

www.thedailystar.net

The challenges the film certification board faces

VISUAL: STAR

Bangladesh is in the process of changing. Some call it progress, some term it disrespecting the past, while many seem to be showing the courage to face challenges that are common during transitions—painful, yet necessary. Changes are hard for sure, and one might admit that it is easier for things to remain as they have for centuries, for life to go on as it does in Bruegel's Landscape with the Fall of Icarus. It was, however, the Irish playwright and critic George Bernard Shaw who said that "progress is impossible without change, and those who cannot change their minds cannot change anything."

Ever since September 22, 2024, when the Bangladesh Film Censor Board was dissolved and the Bangladesh Film Certification Board was established, filmmakers and creators alike have been waiting for a positive change. As seen during major transitions all over the world, organisations go through re-shelving operations—to archive, discard and eventually introduce new ideas. Similarly, the new film certification board has been trying to do the same: pave new avenues, update policies, and learn more, in the process, about the survival techniques of the Bangladeshi film industry. But most importantly, the new committee is also trying to figure out ways to release the films that have been gathering dust for several years.

The basic difference between a censor board for films and a certification board is that of creating limits where content is concerned. "While one has the power to restrict the showcasing of movies according to the censorship act of 1963, the other analyses the content, and certifies releases for appropriate audiences based on age," says Rafiqul Anowar Russell, a filmmaker, an educator and also member of the current board. According to the rules or bidhimala created in 1977 and 1985 based on the act, the censor board had the power to either restrict a film or let it go with a clearance certificate.

The Censorship of Films Act, 1963, composed of board members designated by the government, would examine, review and certify films for public screening, adds Russell. According to Section 3 of the 1963 act, the board could basically determine if a film was viewable or right for the general audience or not. "In a nutshell, it was either yes or no from the board—if a film would be allowed to run or not," adds Russell.

In 2023, the government decided to amend the act, calling it the Bangladesh Chalachitra Certification Act, 2023. The newly formed film certification board focuses more on a "rating system" where films are rated and made available for age-appropriate audiences. This system is followed in countries like the US, UK and also in India. "Some of the most successful and biggest industries have been following the certification system for films for years," says Russell.

"Films do get pulled out even under the certification system, and this has happened in many developed industries as well," he adds. In rare cases, certain films were pulled out or not allowed to be released due to extreme levels of violence or nudity or even attacks on certain communities and minorities. However, according to Russell, while a censor board would restrict the release of at least 50-60 percent of films due to the existing rules related to the 1963 act, the certification system would still allow at least 90 percent of the films or more to be released, as long as they are tagged with the right age references.

Going back to the 1963 censorship act, two sets of rules or bidhimala were formed: the first one in 1977, and then the second in 1985, an elaboration of the previous set. Even though the act is not in existence anymore, the bidhilmala are, which include clauses, based on which a film can be restricted or cleared in terms of vulgarity, violence, nudity, obscenity, controversial topics, sensitive issues, etc showcased on screen.

Filmmaker and actor Khijir Hayat Khan says that there is a difference in mentality between the censor and the certification board in terms of philosophy and thought process. "There are these existing laws that we still have to abide by," referring to the rules from 1977 and 1985. "But it is definitely the mentality. We ask ourselves the questions: how and where do we want to see Bangladeshi films in the future? How much freedom do Bangladeshi filmmakers actually enjoy? And so much more. But there are some bigger issues that we have to overcome, which is forming the bidhimala or rules explaining the 2023 certification act. We are still following the explanations provided to us in 1977 and 1985. As per the constitution, if a set of rules does not exist, the law or act in question cannot be executed. Hence, we are actually stuck in between the old rules, filled with flaws, and a new act, which does not have any set of rules."

As seen during major transitions all over the world, organisations go through re-shelving operations—to archive, discard and eventually introduce new ideas. Similarly, the new film certification board has been trying to do the same: pave new avenues, update policies, and learn more, in the process, about the survival techniques of the Bangladeshi film industry. But most importantly, the new committee is also trying to figure out ways to release the films that have been gathering dust for several years.

Russell talks of several challenges that the current board faces. Starting from getting access to the films that were restricted by the previous regime or pending decisions from the High Court to creating a new law for the benefit of the filmmakers, the tasks at hand for the current board are turning out to be all the more strenuous and demanding than expected. "A major challenge for us is how to work around these rules and start the process of releasing films for age-appropriate audiences, the way we had always wanted to do," adds Russell. "Because the new act is still under construction, we have no choice but to follow the rules from 1977 and 1985 when it comes to reviewing films. Currently, we are also studying film certification acts and regulations of the more developed industries around the world and trying to implement them within our system."

There is also the issue of trying to secure access to the films which were restricted or "banned" for some reason or another by the previous regime. Quazi Nawshaba Ahmed, actor, theatre director, puppeteer and also one of the committee members of the certification board, says that the evidence of certain films being "officially banned" during the past regime is missing. "Of course, there were observations," she says. "The current certification board is taking the necessary steps to ensure that films don't stay in a 'hold' status. Only a few films are currently with the 'appeal' division, and those fall outside the scope of the board's work."

"We still do not have access to these films," says Russell. "It is necessary to review them so that the actual reason behind the restrictions could be understood. That would help the current board take proper steps to move forward as well."

The complications do not end there. For instance, Nawshaba says, "Production houses must clear all payments due to technicians and actors before the film is submitted for certification. A clearance certificate from the relevant industry association should be a mandatory document during the certification process, ensuring transparency and fairness in the payment of all professionals involved." She also emphasises animal welfare in films so that if animals are used in a film, it must be ensured that no harm is inflicted on them. "The certification board must have the authority to take legal action against those responsible if an animal's health is compromised due to the shoot. Scenes involving animal cruelty should be simulated through animation or VFX to prevent real harm," she adds.

Nawshaba also mentions including strict criteria to address the logical and illogical use of tobacco and alcohol on screen and speaks about how the certification board should consist of a diverse panel of members representing different sections of society.

Clearly, hopeful outcomes from the new establishment will take months or years of work, research and the final formation of the act and its accompanying set of regulations. One can either choose to be fearful of the many challenges and obstacles that are springing up like mushrooms, or simply embrace these changes to create a better Bangladesh for the future, as intended. After all, as Leo Tolstoy writes, "True life is lived when tiny changes occur."

Elita Karim is a singer and journalist.​

 

[Saif]

Shakib Khan injured during Mumbai shoot

Superstar Shakib Khan is currently filming the film “Borbaad” in Mumbai, India. The production was progressing smoothly until an unexpected mishap occurred. The “Toofan” actor sustained an injury after accidentally colliding with a door on set. The impact of the incident was just above his eye...

www.thedailystar.net

Shakib Khan injured during Mumbai shoot

Photo: Collected

Superstar Shakib Khan is currently filming the film "Borbaad" in Mumbai, India. The production was progressing smoothly until an unexpected mishap occurred. The "Toofan" actor sustained an injury after accidentally colliding with a door on set. The impact of the incident was just above his eye, as film director Mehedi Hassan Hridoy shared with Prothom Alo.

According to the director, Shakib was promptly taken to a hospital in Mumbai, where a CT scan was conducted to assess the injury. The medical team reassured them that there was no immediate cause for alarm, though they prescribed him pain relief medication.

The filming of "Borbaad" is presently taking place at Ellora Studio in Mumbai. The film's director informed Prothom Alo on Friday night that the incident had occurred last Thursday afternoon. He explained, "In one scene, Shakib bhai was supposed to walk through a door, and we had prepared everything accordingly."

"While opening the door, he accidentally struck his forehead, resulting in a cut near his eyebrow. We immediately paused the shoot and rushed to the nearby hospital. After conducting all necessary tests, the doctor assured us there was no need for worry and provided the appropriate medication."

Director Hridoy expressed, "Shakib bhai's dedication and professionalism, even after sustaining an injury, left us all truly impressed."

He went on to explain, "Following the treatment, we headed back to the set. Our initial plan was to call off the day's shoot to let Shakib bhai rest. However, to our surprise, he insisted, "Let's carry on and wrap up the day's shoot." That evening, we resumed filming and continued until midnight. The following day, we were able to proceed with our shoot as originally scheduled."

Shakib Khan departed from Dhaka to Mumbai on October 22 to join the filming of "Borbaad". He commenced shooting at a studio there on October 24. While the original plan was to wrap up the first phase of filming by November 10, the director announced yesterday that this phase will now extend until November 16. After a brief intermission, they intend to begin the second and concluding phase of filming in December.

Director Mehedi Hassan Hridoy, known for directing over a hundred television dramas, is making his debut in film direction with "Borbaad". He is bringing back the popular on-screen pair of Shakib Khan and Idhika Paul, who previously starred together in "Priyotoma". This action-romantic film is being readied for a nationwide theatrical release during Eid-ul-Fitr next year.

In the meantime, Shakib Khan's film "Dard" is scheduled for release on November 15. The director, Anonno Mamun, has announced that the film will debut simultaneously in 20 countries. In "Dard," Shakib Khan is paired with Bollywood actress Sonal Chauhan.​

 

[Saif]

175 cultural activists call for a separate film division at BSA

The statement presented arguments in support of this demand, signed by filmmakers, producers, cinematographers, editors, sound designers, film critics, researchers, teachers, film workers and organizers, actors, musicians, and photographers.

www.thedailystar.net

175 cultural activists call for a separate film division at BSA

Bangladesh Shilpakala Academy | Star File Photo

In protest of the exclusion of the "Film" section from the "Drama and Film" sub-division in the revised Bangladesh Shilpakala Academy Act, 175 film-related individuals have issued a public statement, demanding the formation of a separate film division.

The statement presented arguments in support of this demand, signed by filmmakers, producers, cinematographers, editors, sound designers, film critics, researchers, teachers, film workers and organisers, actors, musicians, and photographers.

They argued that the new generation of filmmakers, capturing the nation's current aspirations and needs through diverse forms such as feature films, documentaries, and short films, should not rely on commercial entities for support. They believe that only a national institution like Bangladesh Shilpakala Academy can meet these expectations. They also expressed hopes that films would be showcased regularly across the Academy's district branches.

"We are shocked to see that the new draft ordinance has removed the 'Film' section from the previous 'Drama and Film' sub-division. We strongly protest this and demand that a separate film division be established," the signatories said.

Films have been part of the Bangladesh Shilpakala Academy since its inception. Based on this tradition and historical significance, removing the section from the Academy is unacceptable, they added.

At a time when the entire nation is united in rebuilding and reforming the country following the student-led mass uprising, films—one of the key branches of the arts—can best represent this new renaissance. Therefore, rather than excluding the section from the Academy, the government should establish a distinct film division, they urged.

Notable signatories include Nurul Alam Atique, N Rashed Chowdhury, Akram Khan, Shabnam Ferdousi, Tokon Thakur, Noman Robin, Wahid Tareq, Prasun Rahman, Redoan Rony, Khijir Hayat Khan, Palash Rasul, Krishnendu Chattopadhyay, Sadia Khalid Reeti, Zakia Bari Mamo, Rawnak Hasan, Deepak Suman, Shohel Mondol, Nahida Sharmin (Shormi Mala), Abdullah Al Sentu, Tanvir Ahmed, and Nasir Ali Mamun amongst many others.​

 

[Saif]

Shakib Khan’s ‘Toofan’ shatters two decades of records at Star Cineplex

Star Cineplex, the country’s most advanced cine-theatre, has marked 20 years since its establishment. This milestone year witnessed a groundbreaking achievement with the Shakib Khan-starrer “Toofan”. The global blockbuster became the most successful movie at Star Cineplex, surpassing Hollywood...

www.thedailystar.net

Shakib Khan’s ‘Toofan’ shatters two decades of records at Star Cineplex

Photo: Collected

Star Cineplex, the country's most advanced cine-theatre, has marked 20 years since its establishment. This milestone year witnessed a groundbreaking achievement with the Shakib Khan-starrer "Toofan". The global blockbuster became the most successful movie at Star Cineplex, surpassing Hollywood and Bollywood hits.

Directed by Raihan Rafi, the film was released during last Eid-ul-Azha and broke several records at Star Cineplex, as confirmed by the country's biggest theatre franchise in an announcement on their official Facebook page.

Star Cineplex's Senior Marketing Officer Mesbah Uddin Ahmed, told Channel i Online, "'Toofan' has emerged as the most beloved film of the year. In fact, among all the movies screened at Star Cineplex over the past two decades, 'Toofan' holds the best record. Consequently, Star Cineplex considers the film to be unparalleled in every respect, both in commercial success and audience acclaim."."

However, two months after the release of "Toofan," student protests erupted in the country. Prior to that, the nation faced unusual circumstances, leading to widespread changes across all sectors.

Mesbah Ahmed added that if the country's situation had remained normal, "Toofan" might have reached even greater milestones.

Before Toofan, the highest-grossing films at Star Cineplex were "Avatar" and "Jawan". This year, however, "Toofan" surpassed both to become the top-performing movie.

The impact of "Toofan" wasn't limited to Cineplexes alone; it also made history in Bangladesh's single-screen theatres, with houseful shows running late into the night.

The film garnered blockbuster success not only in Bangladesh but also in over 20 countries worldwide. Encouraged by this tremendous response, its production company, Alpha i, is now amping up the production of "Toofan 2."

Chorki served as the digital partner for "Toofan", while its international collaboration was with SVF. The film boasted a star-studded cast, including Shakib Khan, Mimi Chakraborty, Masuma Rahman Nabila, Misha Sawdagar, Fazlur Rahman Babu, Shahiduzzaman Selim, Salahuddin Lavlu, and many others.

Adnan Adib Khan penned the screenplay, while Tahsin Rahman managed the cinematography. The art direction was overseen by Shihab Nurun Nabi, with costume design by Farzana Sun.​

 

[Saif]

Prabir Mitra no more

Legendary actor Prabir Mitra passed away today at 10:15 pm today at a Dhaka’s square hospital. The news has been confirmed to The Daily Star by his son, Sifat Islam. Battling oxygen deficiency and other ailments, Mitra was admitted to a private hospital on December 22. His health had continued...

www.thedailystar.net

Prabir Mitra no more
Actor Prabir Mitra passes away

Prabir Mitra

Legendary actor Prabir Mitra passed away at 10:15 pm today at a Dhaka's Square Hospital. The news has been confirmed to The Daily Star by his son, Sifat Islam. Battling oxygen deficiency and other ailments, Mitra was admitted to a private hospital on December 22. His health had continued to decline over the past two weeks, prompting his family to seek urgent government intervention for advanced medical treatment.

The 80-year-old actor, whose career spans more than 400 films, had been suffering from multiple health issues.

Mitra's family had been tirelessly trying to reach out for help, but the situation had been compounded by the inaccessibility of key members of the Film Artistes' Association. Sifat had noted yesterday, "Today, Anjana Aunty passed away. Many people attended her Janaza at the FDC (Bangladesh Film Development Corporation), and through several individuals, we tried to contact the association. Unfortunately, many of the people who had close ties with my father are either abroad or not reachable within the country."

Prabir Mitra's illustrious career remains an integral part of Bangladesh's cultural history. Born on August 18, 1943, in Chandina, Cumilla, Mitra spent his formative years in Old Dhaka, where his passion for acting began to flourish. His early love for the stage was sparked during his school days, performing in Rabindranath Tagore's iconic play "Dakghar".

Mitra made his silver screen debut in 1969 with "Jolchhobi", directed by H Akbar. However, the film was not released until January 1, 1971. Despite initially playing lead roles, Mitra found lasting success as a character actor, captivating audiences with his depth, versatility, and innate ability to breathe life into complex roles. His performances in films such as "Titash Ekti Nadir Naam", "Jibon Trishna", "Fariyad", "Rokto Shopoth", "Charitrohin", "Angaar", and "Fakir Majnu Shah" are considered cinematic landmarks.

Prabir Mitra's contributions to the film industry are undeniable, and the family hopes for a dignified response from both the state and the industry that once celebrated his immense talent.​

 

[Saif]

FDC cuts rental costs to boost film production

In an effort to revitalise the BFDC, a plan to reduce rental fees for equipment and studio floors has been introduced. This experimental initiative, aimed at attracting more filmmakers to shoot at BFDC, will run for six months.

www.thedailystar.net

FDC cuts rental costs to boost film production

Photos: Collected

For a long time, the Bangladesh Film Development Corporation (BFDC), once the heart of Bengali cinema and the Bangladeshi film industry, has been in a state of disrepair. Gone are the days when every corner of the BFDC was abuzz with lights, cameras, and action. High production costs have driven directors away from the BFDC to film elsewhere, leaving the once-bustling facility largely empty. This has led to irregular salaries for its staff, compounding the organisation's woes.

In an effort to revitalise the BFDC, a plan to reduce rental fees for equipment and studio floors has been introduced. This experimental initiative, aimed at attracting more filmmakers to shoot at BFDC, will run for six months.

According to a circular signed by BFDC's Project Director Md Rezaul Haque, the rental rates for floors 1 and 6 have been revised. Previously, the rates for set construction and filming on these floors were Tk 2,550 and Tk 6,500, respectively.

Under the new pricing scheme, they have been reduced to Tk 2,000 and Tk 5,000. Similarly, the rental for set construction and filming on floor 2 (without air conditioning) was Tk 5,100 and Tk 13,000, respectively, which has now been reduced to Tk 4,000 and Tk 9,000. The rates for floor 2 (with air conditioning) have also been revised, from Tk 5,100 and Tk 18,540 to Tk 4,000 and Tk 11,500 for set construction and filming, respectively.

Camera rental fees have also been significantly slashed. The cost of renting a Red Dragon camera has been reduced from Tk 6,120 to Tk 3,000 for local productions. For outdoor shoots within Bangladesh, the fee is now Tk 3,500, down from Tk 6,630. For international shoots, the rate has dropped from Tk 19,500 to Tk 10,000.

Sony camera rental prices have similarly decreased. The previous fee of Tk 5,100 is now Tk 2,000. For outdoor shoots in Bangladesh, the rental fee has dropped from Tk 5,610 to Tk 2,500, and for international shoots, the price has gone from Tk 16,500 to Tk 7,000.

The charges for digital editing machines have also been reduced, from Tk 2,100 per shift to Tk 1,500, while digital color grading costs have gone from Tk 3,150 to Tk 2,500 per shift. Additionally, the fees for other equipment, such as lighting, audio gear, and set construction materials, have also been lowered.

Several conditions apply to these new rates. If filmmakers bring in external equipment, they must obtain prior approval from the BFDC, and electricity charges will be billed based on shifts. All rental payments must be made according to the official schedule.​

 

[Saif]

Razzak is the ‘Mahanayak’ of our times: Suchanda

Kohinoor Akhter, popularly known as Suchanda, is one of the most celebrated actresses of the 1960s. She recently reminisced about her time working alongside esteemed actor Abdur Razzak, who would go on to become the beloved "Nayak Raj" of Bangladeshi cinema. Their pairing, which began with the...

www.thedailystar.net

Nayak Raj’s 83rd Birth Anniversary
Razzak is the ‘Mahanayak’ of our times: Suchanda

Photos: Collected

Kohinoor Akhter, popularly known as Suchanda, is one of the most celebrated actresses of the 1960s. She recently reminisced about her time working alongside esteemed actor Abdur Razzak, who would go on to become the beloved "Nayak Raj" of Bangladeshi cinema. Their pairing, which began with the iconic film "Behula", became one of the most cherished in the industry, with the duo starring in over 30 films together.

Speaking on the occasion of Razzak's 83rd birth anniversary today, Suchanda recalled their first encounter as co-stars.

"Razzak's first film as a lead actor was the Zahir Raihan directorial film, 'Behula', where I played the lead actress. Before filming began, we met unexpectedly one day." Esteemed Bangladeshi novelist, writer and filmmaker Zahir Raihan, who was also Suchanda's real-life partner, told Razzak, "I'm casting you as the lead in my next film, 'Behula'." "Razzak was so overwhelmed, he touched Zahir's feet in gratitude," Suchanda shared.

In "Behula," Suchanda took on the titular role, while Razzak played the role of Lakhindar. The film was an instant hit, marking the beginning of Razzak's legendary status in the industry.

The pair became a popular on-screen couple, delivering a string of box-office successes. "Our films were always well received by the audience," Suchanda noted. "Razzak's dedication to acting was unlike anything I'd seen. He loved his craft, constantly refining his skills. Acting was his first love, and when the camera rolled, he transformed into another person entirely."

The legendary on-screen duo was featured in iconic films "Shuorani Duorani" "Jibon Theke Neya" and "Behula"—all directed by Zahir Raihan.

Reflecting on Razzak's legacy, Suchanda added, "I've worked with many co-stars, and so had he, but our pairing always resonated with the audience. Even today, people remember the songs from our films. Razzak was a towering figure as an actor—he set a record, a benchmark for what it meant to be a leading man."

She continued, "Razzak was one of the greatest actors we've ever had. While actors may come and go, he was a true star—someone who truly embodied the essence of acting. It was ingrained in his soul."

Razzak was known for his versatility, excelling in both romantic and social dramas. "He was unmatched in every genre," Suchanda reflected. "His performances in socio-political dramas were exceptional, and as a romantic hero, he was the ultimate heartthrob."

Though the Nayak Raj is no longer with us, Suchanda believes his influence remains. "In many ways, Razzak reminded me of Uttam Kumar. It was as though he carried a part of Uttam within him. That's my personal view," she said. "The love and admiration the audience had for him endures, even today."

As she concluded her reflections, Suchanda spoke about the lasting impact Razzak made on the country's film industry. "His name will forever be a part of Bangladeshi cinema's history. He was the 'Mahanayak'—our great hero. Though he's no longer here to celebrate his birthday, may he rest in peace wherever he is."

Their other popular collaborations were "Moner Moto Bou", "Jibon Thekey Neya", "Osru Diye Lekha", among others. Suchanda received a National Film Award in 2005 for producing and directing the film "Hajar Bochor Dhore", based on Zahir Raihan's novel of the same name​

 

[Saif]

Industry leaders to address challenges in Bangladeshi cinema

In an ambitious move to strengthen the future of Bangladesh’s cinematic landscape, the Bangladesh Film Students’ Association (BFSA) is set to host a National Film Conference at Dhaka University tomorrow. The conference, taking place at the Nabab Nawab Ali Chowdhury Senate Bhaban, is set to be a...

www.thedailystar.net

Industry leaders to address challenges in Bangladeshi cinema

Photo: Collected

In an ambitious move to strengthen the future of Bangladesh's cinematic landscape, the Bangladesh Film Students' Association (BFSA) is set to host a National Film Conference at Dhaka University tomorrow. The conference, taking place at the Nabab Nawab Ali Chowdhury Senate Bhaban, is set to be a landmark event for over 500 filmmakers, students, educators, and film professionals — all united in their vision for a brighter future for the Bangladeshi film industry.

Under the banner of the theme "Shongskarey Cholochitro, Poribortone Desh", the conference aims to tackle the urgent challenges lying ahead of the film sector in Bangladesh. The event is not just a gathering of minds but a call for action — one that seeks to ignite conversations on reinvigorating the country's filmmaking ecosystem, making it a powerful cultural and commercial force in the region.

The conference will feature passionate voices from industry leaders and experts, including the chief guest, Information Technology Adviser Md Nahid Islam, as well as special guests, Cultural Adviser Mostofa Sarwar Farooki and Mahfuj Alam, special assistant to the chief adviser. Together, they will steer the dialogue toward concrete solutions that benefit filmmakers and the country's broader entertainment and cultural landscape.

For the first time, key topics that have long hindered the growth of Bangladesh's film industry will take centre stage. From outdated certification laws to the underdeveloped infrastructure of film distribution and exhibition, the conference will strive to dismantle the barriers preventing the industry from realising its full potential.

The need for a revamped Bangladesh Film Certification Law, a restructured Film Development Corporation, and improved digital distribution networks are just some of the pressing issues that will be explored. The discussion will also delve into the commercialisation of the industry, focusing on ticket sales, box office management, and revenue-sharing systems that currently limit the profitability of local films.

As the film industry grapples with these systemic challenges, the importance of film education will also be underscored. Expanding access to said education across the country and creating more opportunities for young filmmakers will be integral to the conversation.

The conference will also look at how an improved educational infrastructure can nurture future generations of filmmakers, technicians, and storytellers, ensuring that Bangladesh remains at the forefront of cinematic innovation.

Another critical point of discussion will be the development of Gazipur Film City, which holds immense promise as a hub for film production, not just in Bangladesh but across South Asia. The conference will explore how to make this vision a reality, offering a glimpse of what the future of Bangladeshi filmmaking could look like on the global stage.

Perhaps one of the most urgent issues to be discussed is the ongoing battle against piracy and the lack of government investment in the sector. Without robust protections against piracy and strategic support from the government, filmmakers are left vulnerable, and the industry's growth remains stunted. Conference attendees will work towards establishing an anti-piracy framework and advocate for increased government funding to bolster local film productions.

The National Film Conference aims to transcend political barriers, fostering a future where creativity, commerce, and culture thrive. By focusing on actionable solutions, it expects to elevate Bangladesh's film industry and secure its legacy for future generations.

For the attendees, it is an opportunity to transform the way the country sees its film industry by pushing boundaries, challenging old conventions, and sparking a cultural renaissance. In the words of one of the organisers, "This is the time for change, for a film industry that reflects the rich cultural heritage of Bangladesh, while embracing the future of global cinema."​

 

[Saif]

Modhumita Cinema Hall to close down after Eid

Madhumita Cinema Hall, a decades-old theatre in Dhaka will be completely shut down after the upcoming Eid-ul-Azha

en.prothomalo.com

Modhumita Cinema Hall to close down after Eid
Entertainment Correspondent
Dhaka
Published: 31 Jan 2025, 20: 00

One of the oldest cinema hall in Dhaka. Prothom Alo

One of the country’s historic theatres, Modhumita Cinema Hall in Motijheel area of Dhaka had been opened 58 years ago. This decades-old theatre was in a loop of being open for a few months and then closed for a few months during last few years.

Owner of the theatre Iftekhar Uddin Naushad said Thursday afternoon that their theatre will be completely shut down after the upcoming Eid-ul-Azha. A multi-storey building will be constructed in its stead. And the new building will have a Cineplex.

Iftekhar Uddin Naushad said that they had to take this decision from the family. He added that the Modhumita Cinema Hall did not have much business in the past few years, except on special occasions.

Inside of Modhumita Cinema Hall in DhakaProthom Alo

Even then, Iftekhar Uddin Naushad held on to this ancestral business. But recently he had to accept the proposal of demolishing the current theatre and build a multi-storey building there based on their family decision.

Iftekhar Uddin Naushad told Prothom Alo, “Films are not being released nowdays in our country. If there are no films, there is no point in keeping our cinema hall running either. Now we will wait for Shakib Khan’s Eid film. I heard that Shakib’s film will be released on Eid-ul-Azha as well. When Shakib’s film is released on Eid-ul-Azha, we will stretch the screenings for two months.”

“Then, after releasing another film of Shakib Khan on Eid-ul-Azha, we will close down the theatre for good. We don’t get any films to do business during other times of the year apart from the two Eids. Such a cinema hall cannot run when it’s left empty for months at a stretch, right?” he continued.

Managing director of Madhumita Cinema Hall, Iftekhar Uddin Naushad. Collected

In the course of the conversation Naushad said, “We are just counting losses by keeping it open. So, we finalised the decision to close down Modhumita two weeks ago. While other members in our family had already been in favour of closing it down for the last couple years, I was the one against it till now. Now, I also agree with my brothers that this is the right decision. There are no films, let’s just shut it, I said.”

“Recently, we had brought a new sound system and had carried out a lot of renovations at the theatre. We had to invest a lot of money in that. But even then, if we could release films regularly and have decent films to do business, there was no problem in investing.”

In the last two years, we have been able to do some business only on the films ‘Priyotoma’, ‘Toofan’ and ‘Dorod’. We had to count losses on all other films that were screened at the theatre apart from these. Now there’s no films at all. There is no point in leaving such a big institution idle like this. But, we’ll keep a cinema hall even when we build a multi-storey building there,” he added.

On 1 December 1967, speaker of the National Assembly of Pakistan, Justice Abdul Jabbar Khan had inaugurated the Modhumita Cinema Hall. Iftekhar Uddin Naushad said, “I still remember that day clearly. The show started with the film ‘Cleopatra’ starring Elizabeth Taylor. There was such interest among the spectators on the first day. We started with modern sound (magnetic sound) system from the very first day.”

Siraj Uddin, a businessman from Old Dhaka, was the founder of the hall. He had placed an advertisement in the Daily Ittefaq asking for a suitable name for the cinema hall. Many people suggested names and sent them. From those suggestions, Siraj Uddin chose the name Modhumita and rewarded the person, who suggested the name, with Tk 500 at that time.

Siraj Uddin’s son Iftekhar Uddin Naushad is the current managing director of the cinema hall and the four sons of Siraj Uddin are the joint owners. The cinema hall can house 1,221 spectators at a time.​

 

[Saif]

Decentralising filmmaking: Monsoon Revolution Film Production Workshop hosts Dhaka event

The Monsoon Revolution Film Production Workshop has officially been launched under the initiative of the Ministry of Cultural Affairs, with the vision of decentralising the filmmaking industry and nurturing new talent from across the country. The workshop aims to create opportunities for...

www.thedailystar.net

Decentralising filmmaking: Monsoon Revolution Film Production Workshop hosts Dhaka event

Photos: Sheikh Mehedi Morshed

The Monsoon Revolution Film Production Workshop has officially been launched under the initiative of the Ministry of Cultural Affairs, with the vision of decentralising the filmmaking industry and nurturing new talent from across the country. The workshop aims to create opportunities for aspiring filmmakers beyond Dhaka, empowering them with hands-on training in storytelling, cinematography, production, editing, and the application of technology in filmmaking.

Dhaka division's session commenced today, with notable figures in attendance, including Cultural Adviser Mostofa Sarwar Farooki, Professor Dr Sumon Rahman, fimmaker Tanim Noor and prodigal filmmaker Nuhash Humayun at the Bangladesh Shilpakala Academy, marking the beginning of a five-day intensive programme.

Speaking about the workshop's significance, Nuhash Humayun shared, "Through films, we can bring change. A nation's culture, its films, and OTT web-series alike are its creative superpowers. The stronger the storytelling, the more impactful the message. Films allow us to present our perspectives without restrictions."

As part of the project, eight selected filmmakers will produce eight medium-length films in collaboration with novice and trained film workers. A search committee, formed last December, selected these filmmakers to conduct workshops and create films this year.

The selected directors are — Anam Biswas, Humaira Bilkis, Nuhash Humayun, Shankha Dasgupta, Shaheen Dill-Riaz, Robiul Alam Robi, Tasmiah Afrin Mou, and Mohammad Touqir Islam.

Today's event was graced by cultural adviser Mostofa Sarwar Farooki, who highlighted the overwhelming response from aspiring filmmakers. "In this innovative workshop led by Nuhash Humayun, over 500 participants have submitted their writings, which are a promising sign that we are heading in the right direction," he stated.

As part of a nationwide initiative, the Monsoon Revolution Film Production Workshop will be conducted across all eight divisions of Bangladesh, each facilitated by accomplished young filmmakers. By decentralising access to filmmaking education and mentorship, this initiative is expected to encourage a new generation of storytellers.​

 

[Saif]

‘Borbaad’ official teaser reignites fan excitement around the film

After months of anticipation surrounding the Eid-ul-Fitr special film “Borbaad”, starring Dhallywood superstar Shakib Khan, the excitement surrounding it has reached a new palpable height following the official teaser release yesterday.

www.thedailystar.net

‘Borbaad’ official teaser reignites fan excitement around the film

After months of anticipation surrounding the Eid-ul-Fitr special film "Borbaad", starring Dhallywood superstar Shakib Khan, the excitement surrounding it has reached a new palpable height following the official teaser release yesterday.

Directed by Mehedi Hassan Hridoy and packed with high-intensity action and savagery, the one-minute-and-forty-four-second teaser has been generating enthusiastic reactions from the audience. It premiered on the official Facebook and YouTube channels of both Shakib Khan and the film's production company.

Last Eid, Shakib Khan captivated audiences with his remarkable transformation in Raihan Rafi's "Toofan". Now, the release of the "Borbaad" teaser has raised fans' expectations for his upcoming film.

The "Borbaad" teaser showcases Shakib Khan in a few distinct looks, hinting at a gripping tale of love and revenge. The glimpses revealed make it clear that the action will be raw and intense, adding to the film's high-energy appeal. While all of Shakib Khan's looks in the teaser have sparked conversations, the most talked-about is his long-bearded appearance in the final scene.

Moreover, despite his brief appearance in the teaser, West Bengal star Jisshu Sengupta has managed to leave a strong impression among fans. His look and expressions have already sparked discussions online, with many anticipating an intense showdown in the film.

Speaking about "Borbaad", Shakib Khan confidently stated, "This film will surpass all of my previous works."

Alongside Shakib Khan, "Borbaad" features Idhika Paul, Jisshu, Manav Sachdev, and Misha Sawdagar in key roles. Additionally, Kolkata actress Nussrat Jahan will appear in a special item song. A significant portion of the film was shot in Maharashtra, India.​

 

[Saif]

HC orders screening of 'The Remand' on July Uprising

The High Court on Wednesday directed the issuance of a certification for the film, The Remand, which is based on the anti-discrimination student movement. A HC bench of Justice Md Akram Hossain Chowdhury and Justice KM Rasheduzzaman Raja passed the order and issued a rule following a prelimin

thefinancialexpress.com.bd

HC orders screening of 'The Remand' on July Uprising
UNB
Published :
Mar 19, 2025 22:23
Updated :
Mar 19, 2025 22:23

The High Court on Wednesday directed the issuance of a certification for the film, The Remand, which is based on the anti-discrimination student movement.

A HC bench of Justice Md Akram Hossain Chowdhury and Justice KM Rasheduzzaman Raja passed the order and issued a rule following a preliminary hearing of a writ petition.

Lawyer Md Gias Uddin Chowdhury represented the petitioner in the court.

Lawyer Gias Uddin said that the high court ordered the issuance of the certification certificate within three days.

Earlier, the film's producer and director, Syed Belayet Hossain Belal, had filed a writ petition.

The writ named the Secretary of the Ministry of Information and Broadcasting, the Vice Chairman, and the Deputy Director of the Bangladesh Film Certification Board as defendants.

Directed by Ashrafur Rahman, The Remand features actors Zakia Bari Mamo, Parvez Abir Chowdhury, Salha Khanam Nadia, Lutfur Rahman George, and others.

After completing production, the film was submitted to the Bangladesh Film Certification Board and previewed on December 30.

However, the authorities have not granted permission for its screening, and despite sending two legal notices, no response has been received.

Consequently, the petitioner filed the writ seeking a court order to release the film within three days.

Producer Belal said that the film is a historical document that aims to preserve the memory of the heroic sacrifices made by students and the public during the July uprising.

He explained that after the film's screening process was completed on December 30, the law mandates that any anti-state content must be notified within seven days.

Since no letter or notification has been issued by the authorities and no discussions have taken place, he urged that the certification be granted immediately so the film can be released by the Film Certification Board.​

 

[Saif]

Star Cineplex to launch new branch in Uttara this Eid

In response to growing audience demand, Star Cineplex continues to expand its network of multiplex cinemas across the country. As part of this initiative, a brand-new branch is set to be opened in Dhaka’s Uttara area on Eid day.

www.thedailystar.net

Star Cineplex to launch new branch in Uttara this Eid

Photo: Collected

In response to growing audience demand, Star Cineplex continues to expand its network of multiplex cinemas across the country. As part of this initiative, a brand-new branch is set to be opened in Dhaka's Uttara area on Eid day.

"Located at the shopping arcade Centrepoint near the Hazrat Shahjalal International Airport, the new branch of the popular multiplex is being launched as a special Eid gift for moviegoers," said Cineplex authorities to local media. From Eid day onwards, audiences will be able to enjoy films at this newly built cinema.

Mesbah Uddin Ahmed, senior manager of Media and Marketing at Star Cineplex, stated that the Uttara area has long awaited its own branch. "We've received countless requests—both online and in person—from residents of Uttara to open a branch here. We're thrilled to finally make that happen," he said.

The new multiplex will feature four auditoriums: one VIP hall (83 seats), one Royal hall (48 seats), and two Premium halls (175 and 331 seats respectively). Like its other branches, this one promises a world-class cinematic experience with modern amenities, giant screens, and state-of-the-art sound systems.

Mesbah Uddin added that this location was chosen with convenience in mind, especially for residents of Uttara, Tongi, Savar, and Gazipur, who often face long commutes and traffic congestion to reach existing branches.

Star Cineplex, the country's first multiplex cinema, has gained popularity for its high-quality environment and technology. It currently operates branches in Bashundhara City Shopping Mall, Shimanto Shambhar, SKS Tower, the Military Museum, and Sony Square in Mirpur.​

 

[Saif]

Eid-Ul-Azha: 5 more films receive censor certification

Five more films scheduled for release this Eid-ul-Azha have received clearance from the Bangladesh Film Certification Board on Wednesday, paving the way for their theatrical debut during the festive season. The films are 'Taandob', 'Insaaf', 'Togor', 'Utshob', and 'Esha Murder'. Earlier, 'NeelChok

thefinancialexpress.com.bd

Eid-Ul-Azha: 5 more films receive censor certification

Published :
Jun 04, 2025 23:35
Updated :
Jun 04, 2025 23:35

Five more films scheduled for release this Eid-ul-Azha have received clearance from the Bangladesh Film Certification Board on Wednesday, paving the way for their theatrical debut during the festive season.

The films are 'Taandob', 'Insaaf', 'Togor', 'Utshob', and 'Esha Murder'. Earlier, 'NeelChokro' received its censor approval back in February, UNB reports.

With this, all six films are now officially set for nationwide release during the upcoming Eid-ul-Azha, one of the peak seasons for the country’s film industry.

According to sources at the Film Certification Board, all six films have been granted uncut approval with a 'U' certificate, making them suitable for viewers of all ages.

In terms of runtime, 'Insaaf', directed by Sanjoy Somadder, is the longest among the Eid releases, with a duration of 2 hours 29 minutes and 26 seconds. Conversely, 'Utshob', directed by Tanim Noor, is the shortest at 1 hour 52 minutes and 39 seconds.

The much-anticipated film 'Taandob', directed by Raihan Rafi and starring Shakib Khan, Sabila Nur, and Jaya Ahsan, runs for 2 hours 9 minutes and 52 seconds.

'NeelChokro', featuring Arifin Shuvoo and Mandira Chakraborty, has a runtime of 1 hour 53 minutes and 32 seconds. 'Togor', starring Ador Azad and Puja Cherry, is 2 hours 23 minutes and 46 seconds long. Meanwhile, 'Esha Murder', featuring Azmeri Badhon and Puja Cruz, runs for 2 hours 26 minutes and 25 seconds.

Film enthusiasts are eagerly awaiting this diverse lineup, which is expected to draw large audiences to cinemas across the country during Eid.​

 

[Saif]

Info adviser urges film archive to initiate digitalisation for protecting films

Information and Broadcasting Adviser Md Mahfuj Alam today urged Bangladesh Film Archive (BFA) to take initiative to digitalise film archives for protecting films. He said, “Bangladesh Film Archive must take initiatives to digitalise the archiving methods and for this the institution must be

thefinancialexpress.com.bd

Info adviser urges film archive to initiate digitalisation for protecting films

BSS
Published :
Jun 24, 2025 22:14
Updated :
Jun 24, 2025 22:14

Information and Broadcasting Adviser Md Mahfuj Alam today urged Bangladesh Film Archive (BFA) to take initiative to digitalise film archives for protecting films.

He said, “Bangladesh Film Archive must take initiatives to digitalise the archiving methods and for this the institution must be empowered with more capabilities”.

The adviser made the remark at a view exchange meeting after visiting the institute at Agargaon.

Outlining the necessity of film archiving, the adviser said, “The archive has long been playing a crucial role in protecting different kinds of historical documents with cultural and traditional values and safeguarding foreign films in the country”.

“The institution must take initiatives to collect and protect more film documentaries based on the history and culture of Bangladesh,” he added.

He stressed the need for documenting at least 50-year-old elements from old institutional archives like Bangla Academy, Bangladesh Shilpakala Academy and Dhaka University.

Mahfuz called for preserving the writings and interviews of veteran and talented filmmakers and preparing a digital catalogue of all films preserved in the archive to ease film researchers’ and students’ research works.

The adviser assured that the government will provide all-out cooperation in increasing the capacity of the film archive.

Director General of Bangladesh Film Archive Md. Abdul Jalil delivered the address of welcome.

Film archive director Farhana Rahman and other officials and employees of the institution attended the meeting, among others.

Earlier, the adviser visited the projection hall, film museum, film hospital, film vault and library of the film archive.​